In Ceremony, then, Tayo functions as a kind of living story, carrying forward the traditional storytelling practice with the addition of modern situations and problems. By doing this, she makes Tayo a part of the grand storytelling cosmology from which he draws strength. Yet Silko also marks out some of Tayo’s memories and experiences in Ceremony in the same poem stanza form she uses for the ancient poem-stories she includes. Another story about Fly and Hummingbird’s attempts to end the drought mirrors Tayo’s journey to heal his own spiritual drought, and words from the ancient poem-stories are spoken by some of the characters in prose in moments when Tayo needs strength most. Betonie, a Navajo medicine man, tells stories that show Tayo a path to reconnect with his past as well as the possibility of building a new future for himself. Tayo, as the main character in his own story, gains both comfort and inspiration from the native stories of his past. By deliberately and respectfully using the stories of many different Native American tribes, Silko commemorates the strength of these stories throughout native history and grounds Ceremony itself in that storytelling tradition. Because of the intense power of stories, each word in a story must be carefully chosen so that it brings healing to the world instead of harm.
A story contains the ability to speak something in to being, whether literally as when the story of a Native American witch speaks white people into existence, or metaphorically, as when a community chooses to act according to the ideals set forth in a particular story. In the poem-stories, Silko does not limit herself to chronological storytelling, instead weaving the many stories together to highlight how each influences or comments on another.
Silko marks out the ancient stories in broken lines that look more like poetry than the prose that makes up the majority of the novel. Interspersed through the episodes of Tayo’s return from war and quest to build a new ceremony are poem-stories that reveal lessons that apply to Tayo’s search for healing, as well as giving the reader a small look into the stories that govern spiritual life, education, and daily actions in Native American communities. In Ceremony, Silko honors the power that storytelling carries in these communities, weaving elements of the traditional Native American art of oral storytelling into a modern narrative story that seeks to educate and instruct readers about ways to heal the world. The practice of storytelling is an intensely important spiritual element in many Native American cultures, encompassing both entertainment, moral guidance on the proper way to live, and connection to a shared past.
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